Cultural Appropriation: Should Western Brands Use African Prints?

What is Cultural Appropriation?  According to the Cambridge dictionary, it is ‘the act of taking or using things from a culture that is not your own, especially without showing that you understand or respect this culture’ So my question to you guys is, is it appropriate for western brands such as the Stella McCartney to use Ankara/ African Wax prints in their designs or is it cultural appropriation? Where do we draw the line between appreciation and appropriation? And who decides this? But most importantly, does fashion have a cultural appropriation problem?

MILAN, ITALY – FEBRUARY 21: A model walks the runway at the Gucci Autumn Winter 2018 fashion show during Milan Fashion Week on February 21, 2018 in Milan, Italy. (Photo by Catwalking/Getty Images)

Since I began blogging in 2015, many top designers have faced accusations of cultural appropriation.  In 2015 Isabel Marant was accused of plagiarising the traditional costume of a Mexican community, in 2016  Gucci faced a backlash for showing white models in Sikh-style turbans, in 2017 Vogue was criticized for a shoot in which model Karlie Kloss was dressed as a geisha and in 2018 Zara copied the designs of the famous brand Maxhosa by Laduma. I think it is pretty evident that we have a problem with cultural appropriation but would there be an industry without designers taking inspiration from other cultures? It’s a tough debate.

Dr Delice says  “We are still living in a world where white people and institutions are much more powerful than black and brown people and their institutions.”

As much as I hate to say it this statement is 100 ad 10% true. The fact that it’s 2019 and POC are still underrepresented in the fashion world – particularly the luxury fashion world is extremely sad and heartbreaking. My problem with the fashion industry when it comes to the topic of cultural appropriation is the fact that they choose to hire Caucasian models rather than models of the culture that they’re appropriating. To me that is where we draw the line between appreciation and appropriation. I’m sure you would all agree. Why are the people that inspired your collection not representing it? To me it makes no sense. Second of all I believe that some sort of acknowledgement should be present such as donating a percentage of the profits to organisations in that area that inspired the pieces, it’s only fair.

Should Western brands use African Prints?

Personally I don’t see the problem with it AS LONG as they use BLACK AFRICAN MODELS. I feel like the world is so focused on becoming westernized that we’re constantly looking for approval from these countries yet when it comes to fashion they never ask for ours. Its so sad to me that we live in a society where African Designers are not given enough credit or recognition for their work and it is becoming so incredibly frustrating to see designers consistently working hard and pushing boundaries only for their work to be copied and stolen by much bigger global brands. But I can guarantee you that very soon Africa is going to take over the world and I ensure you I will have a front row seat in the changing of history in this thing we call the fashion industry.

This article was originally published by Ivis for CheckOut Africa on the 11th of February 2019

Maison Loulabelle Debuts It’s Metamorphosis Collection At The London Kids Fashion Week 2019

Maison loulabelle always has something up their sleeves to keep us wanting more!

The amazing Afrocentric kids fashion brand just launched it’s newest collection at the London Kids Fashion Week, hosted by Mini Mode. The new collection tagged METAMORPHOSIS! Was literally curated to change EVERYTHING you thought you knew about Afrocentric kid’s fashion. –

This collection is designed with no detail spared, produced with only the best material. Every detail expertly curated and assembled, Unapologetically lavish. Each design is a unique piece of history .

I have been waiting eagerly to see the pictures from the runway the moment a sneak peak of the backstage line up was uploaded on the Maison Loulabelle Instagram page. And once I could get a few pictures, I decided to put them up for you to see.

But before I show them to you I have a question to ask you. How many children’s dresses do you see that takes 70+ hours to create? With Maison Loulabelle, the beauty is in the details. Steady making your little girls look like princesses and not leaving the boys out. In the Metamorphosis collection, there is something for every kid. Scroll through to view images.

To connect with Maison Loulabelle, and possibly secure a piece from the ss19 collection before its official release in May, follow @maison_loulabelle on Instagram, or email [email protected]

Why Buy Nigerian?

[dropcap custom_class=”normal”] My eaves dropped at dinner last night and I heard someone ask “Why buy Nigerian?” with the main bone of contention being the quality of made in Nigeria products.
If you ask me, (even if you don’t I’d still tell you anyway) the concern of quality particularly is a little bit played out. Nigerians are not only becoming more innovative; most are also paying supreme attention to detail and quality. [/dropcap]Continue reading

Indigo Dye

[dropcap custom_class=”normal”] Indigo dye was the foundation of numerous textile traditions throughout West Africa. For centuries before the introduction of synthetic dyes the ability to transform everyday white cotton into prized deep blue cloth was a mysterious and highly valuable skill passed on by specialist dyers from generation to generation. From the Tuareg nomads of the Sahara to the grassland kingdoms of Cameroon, indigo cloth signified wealth, abundance and fertility.[/dropcap]Continue reading

Traditional Igbo Textile | Akwete

[dropcap custom_class=”normal”] Akwete cloth is a unique hand woven fabric of Igbo women of Akwete in Abia State, Nigeria. The fabric was originally referred to as “Akwa Miri” (Cloth of the water) which means towel and mostly weaved by the women on a vertical loom. Akwete cloth weaving is said to be as old as the Igbo nation. [/dropcap]Continue reading

Meet The Founder Of Ty-Tys | Exclusive Interview

The first time I was opportuned to meet Mr Bayo Ademiluyi (founder of Ty-tys) was at the Chevron (Afro-centric) bazaar. It was so random as one of the Bellafricana team had just posted an article about Ty-tys which caught my attention. Mr Ademiluyi is very jovial, down to earth and talented of course. I couldn’t help but interview him to hear the story of how Ty-tys came about.

Q & A

  • Please introduce yourself and your background.

My name is Bayo Ademiluyi.  I am from Ile-Ife, Osun state, Nigeria and I am a lawyer by profession and Head of Design at Ty-Tys.

  • Please tell us about your work. How did Ty-tys start?

We produce hand-made distinctive neckwear – ties, bowties and scarves – using traditional African fabrics, predominantly aso-oke. Aso oke (pronounced ah-SHAW-okay) is a hand loomed cloth woven by the Yoruba people of south west Nigeria. Aso oke means top cloth in the English language. We have recently expanded our range to include pocket squares, laptop bags and ladies’ tote bags, and wall hangings.

  • Where did the idea for Ty-tys come from? Where do you find the inspiration for your designs?

The idea of Ty-Tys was conceived about 4 years ago. I was getting ready to attend a wedding and had been toying with the idea of incorporating the aso-ebi strip (usually sewn as a fila [cap]) into an outfit that wasn’t traditional – I thought “What if I want to wear a suit?” It was actually sort of a “Eureka” moment. I find inspiration from things I see around me every day – outfits, colours, magazines, etc and also from my very weird imagination!

  • Can you remember one of the first things you crafted? What makes it memorable?

It was a tie made from purple silk aso-oke; I still have it somewhere. It represents the genesis of where we are today.

  •  How long does it take to design and make a particular work? Can you give a short summary of the processes that go into each one?

It varies, and depends on the item in question. On average, most neckwear will take between 3-5 hours and our wall hangings often require more than 4 days to complete.

  • What are the challenges you face in business?

The same as virtually all business owners in this country namely:
– Erratic power supply and the associated costs
– Shortage of skilled labour
– Access to affordable SME financing

  • What is your most popular item (include image)? Possibly because this item incorporates the 3 fundamental types of aso-oke: Etu (the blue/black), Sanyan (beige) and Alaari (wine red), it is often purchased as a gift item (picture below).

aso-oke tie by ty-tys

  • To what extent do you draw upon your Nigerian heritage for your work?

Quite extensively, being that our main raw material is sourced from my part of the country and the ethos of the business is based our local culture and heritage.

  • What are your goals for the future, both work wise and life?

Success (not necessarily just financial) and the vision of building a world-class business that will outlive me.

  • What would people be surprised to learn about you?

That I am still (quite actively and happily) engaged in the practice of law.

  • For someone who wishes to take up this kind of career, what kind of advice would you give them? Also, if you could give one piece of advice to youths who want to start their own company, what would it be?

Do what you enjoy – what you get out of your business in the form of personal satisfaction, enjoyment and financial stability will be a result of what you put into it. So if you don’t enjoy what you’re doing, chances are you won’t make a real success out of it. Don’t just jump into a business because “people are doing it, and making lots of money there” – everybody’s path (and destiny) is different.

  • And finally, I would like to give you this opportunity to share two to four images of your work and tell us a little about each.
Asooke tie by ty-tys
This is the first aso-oke which I designed myself and is still one of my favourites to date. The 7 colours of the rainbow woven onto the black background makes it very versatile. A real conversation piece.
Bow ties made with aso-oke by ty-tys
Assorted pre-tied bowties. We also make self-tie bowties but usually on request.
laptop bag with aso-oke made by ty-tys bellafricana digest
One of the patchwork laptop bags. Each one is different and unique.

ties made with aso-oke by ty-tys bellafricana digest

These aso-oke items are luxurious so if you love to look good and love luxury, trust me you need one of these in your collection.

To Reach Mr Bayo Ademiluyi:

Call: +2348050540564

Email him on: [email protected]

Visit his website on: www.ty-tys.com

Meet The Founder Of Catyna Designs | Exclusive Interview

[dropcap custom_class=”normal”] I am so excited to introduce this amazing woman to you. She uses Nigerian Adire Indigo fabrics for interior decorations. I met her at a competition for entrepreneurs in 2014. Do you know how cool it is to meet people who are of like minds as you? I bet you don’t! This woman makes me proud to be an entrepreneur. Miss Celestina Utoro (founder of Catyna designs ) is so passionate about her work and she understands the word ‘synergy’. [/dropcap]

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