Community Manager published in African Creatives Spotlight, African heritage, bellafricana, made in africa

Zainab Sumu on Heritage, Identity and Art

There is a moment many creatives know well. You are in a room. A gallery, a pitch, a conversation. Somewhere along the way, you find yourself shrinking. Softening your edges. Translating yourself into a language that feels safer for the people around you.

Zainab Sumu decided she is done with that room.

The Sierra Leonean-born, Cambridge-based artist has spent her career building a practice rooted in what she calls the living intelligence of African cultural inheritance. Through woven sculpture, painting, textiles, and print, she does not just reference African heritage. Instead, she treats it as a full creative methodology. One with its own depth, logic, and power.

This year, she is not dimming any of it.

In this edition of the African Creatives Spotlight, Zainab Sumu shares what it really means to build with intention and why the most powerful thing a creative can do is stop shrinking.

Zainab Sumu, contemporary artist and cultural storyteller. Photo credit: Anna Olivella

From Over-Explaining to Owning It

One of the most honest things the Zainab Sumu journey reveals is how much energy creatives spend justifying their work to audiences who were never their people to begin with.

Last year, something shifted for her. She stopped needing to over-explain. The more grounded she became in her own cultural language, the more her work resonated. Not less. That is the counterintuitive truth she is living right now.

Ultimately, it is a lesson that takes most artists years to learn. You do not make your work more universal by making it more generic. In fact, you make it more universal by making it more yours.

What Stewardship Looks Like in Practice

Zainab is the founder of Studio Znabu, her fine art studio launched in 2021. In addition to that, she runs her textile brand, Zainab Sumu Primitive Modern, which she started in 2015. Her woven fiber sculptures also sit in permanent collections, including the Peabody Essex Museum and The Quin House Boston.

However, when she describes her mindset for this year, she does not reach for a hustle word. She says stewardship and expansion.

This is a deliberate choice of language. Stewardship suggests responsibility and care. The work, in her view, is not just hers. Rather, it belongs to something larger and carries a duty beyond the individual. Consequently, her practice is built not for speed, but for legacy.

That kind of thinking changes how you build. In short, it means growth does not come at the cost of the thing that made the work worth building in the first place.

Photo credit: Somerby Jones

The African Creatives Spotlight Interview

We asked Zainab Sumu the same questions we ask every creative in this series. Her answers, as you will see, are anything but ordinary.

Introduce yourself.

My name is Zainab Sumu. I am a contemporary artist and cultural storyteller born in Sierra Leone and based in Cambridge, Massachusetts. Furthermore, I am the founder of Studio Znabu, a creative platform through which I expand my practice into community, design, and cultural dialogue. Through woven sculpture, painting, textiles, and print, I explore memory, material, and cultural inheritance as living systems of knowledge within African and diasporic cultures. At the heart of my practice is a deep love for beauty, lineage, and the ways culture connects us across time.

Describe this current season of your creative journey in one sentence.

This is a season of intentional expansion. Specifically, I am deepening my voice while building structures that allow my work to travel further and touch more lives.

What did the past year teach you about yourself or your brand?

The past year taught me to move with patience and conviction. When I honor my roots and trust my intuition, the right opportunities align. As a result, the work carries itself with quiet authority.

Was there a moment in the past year that changed how you approach your work?

Yes. I realized that I no longer need to over-explain my work for it to be understood. The more grounded I am in my cultural language, the more universally the work resonates.

Nothing About Zainab Sumu Is Accidental

Not the words, not the work, not the direction she is moving in. Moreover, the second half of this conversation makes that even clearer.

Zainab Sumu, Banya 2, 2022.

What are you being more intentional about right now, creatively or in business?

Above all, I am being more intentional about balance. Building sustainable systems around my creativity means that inspiration is supported by strategy. That way, growth does not come at the expense of joy.

What are you letting go of so you can aim higher and create better this year?

I am letting go of shrinking in rooms that require me to dim my light. I am stepping fully into the responsibility of the vision I carry.

What bold reminder or insight would you give creatives?

Your heritage is not something to dilute. On the contrary, it is a source of depth, intelligence, and power. When you create from that place, your work becomes both personal and timeless.

Describe your mindset for this year in one word or short phrase.

Stewardship and Expansion.

Why Heritage Is Your Greatest Creative Advantage

If there is one thing to take from this interview, it is this. The thing you have been told to water down is the very thing that makes your work matter.

African heritage is not a niche. Furthermore, it is not a limitation to work around. It has always been a source of intelligence, depth, and power. Zainab is not discovering that. Rather, she is reminding us.

Therefore, this season, she is stepping fully into the responsibility of the vision she carries. And that is exactly the kind of thoughtfulness the African Creatives Spotlight is built to celebrate.

Zainab Sumu, Sowo III.I, 2025. Watercolour on paper.

Follow Zainab Sumu:

The Bellafricana African Creatives Spotlight celebrates African creatives who are building with intention. Follow us on Instagram @bell_africana and never miss a story.

  • no reactions
0
Share
Community Manager published in African Creatives Spotlight, bellafricana, Contemporary African Art, Exclusive Interviews, Visual artist

African Creatives Spotlight: A Conversation with Joke Amusan

This edition of African Creatives Spotlight features Joke Amusan, a London-based visual artist, letting go of the belief that growth has to be loud. Her practice is built on quiet, steady work—the kind that lasts.

Born in Germany and now based in London, Joke is a visual artist whose work illuminates the experiences of Black womanhood. Through embroidery, installation, and sculpture, she explores identity, heritage, and migration, creating spaces where women share their stories and embrace their authentic selves.

Her materials carry weight. Joke stitches powerful messages in bright red thread on hessian fabric. Phrases like “My very existence is defiance” and “You deserve to take up space.” The hessian rough cloth historically used for trade sacks, represents migration, endurance, and survival. Red thread symbolizes interconnectedness, blood, and gentle urgency. Each stitch becomes an act of repair, care, and healing.

Her work has been exhibited at Tate Modern, Tate Britain, The ICA, and the African Diaspora Art Museum of Atlanta. In 2025, she won the Thameslink Art Award and held solo exhibitions at TAFETA in London and MAIA in Birmingham. British Vogue and FAD Magazine have featured her work.

However, this year Joke isn’t chasing visibility. She’s planting seeds for longevity, building foundations, setting boundaries, and trusting the work that happens behind the scenes.

This conversation is part of our interview series, a series highlighting African creatives through interviews that tell their stories, share their perspectives, and amplify their voices. As the year begins, the focus is on reflection, where creatives are now, what the past year taught them, and what they’re building toward. Joke’s answers reveal a practice rooted in sustainability, community, and intentional growth.

Joke Amusan, visual artist featured in African Creatives Spotlight. Photo by: [Lara Amusan]

African Creatives Spotlight: Introduce yourself. Your name, what you create, and where you’re based.

My name is Joke and I’m a visual artist based in London. My art practice illuminates the rich and multifaceted experiences of Black womanhood. Through my exploration of identity, heritage, and migration, I create installations and sculptures which challenge preconceived notions and perceptions. My art serves as a conversational bridge: inspiring women to come together, share their stories, and unapologetically embrace their authentic selves.

Describe this current season of your creative journey in one sentence.

I’ve been planting seeds for longevity by focusing on building strong foundations (creatively and in business), while nurturing the community around me.

Joke Amusan planting seeds for longevity in her London studio. Photo by: [Joke Amusan]

What did the past year teach you about yourself or your brand?

The past year taught me that I thrive when I prioritise sustainability and community, and that taking care of myself allows my creativity to flourish. The impact of my practice isn’t just in the final work, but in the in-between moments of building and collaborating.

Red thread on hessian – Joke Amusan’s signature materials. Photo by: [Milo Paris]

Was there a moment in the past year that changed how you approach your work?

Being close to burnout forced me to slow down, ask for help, and separate my self-worth from my output. It completely reshaped how I approach my practice. It reminded me that my creativity needs boundaries.

What are you being more intentional about right now, creatively or in business?

I’m being more intentional about the infrastructure behind my art, systems, support, and long-term vision. As I explore more materials and learn more about my heritage, I want to ensure that every choice I make honors both my creative curiosity and the integrity of my practice. This way, every step I take (both creatively and professionally) feels purposeful and connected to the bigger picture of my practice.

Joke Amusan’s work honors both creative curiosity and practice integrity. Photo: [TAFETA by Pedro Lima]

What are you letting go of so you can aim higher and create better this year?

I’m letting go of the belief that growth has to be loud or visible to be meaningful. I’m learning to trust the quiet, steady work behind the scenes, knowing it shapes my practice in ways that last.

What bold reminder or insight would you give creatives to push boundaries and dream bigger this year?

Build strong foundations, trust your vision, and use your “why” as a guide.

Remember that you don’t have to do it all on your own – be part of, or build, a community where you’re supportive of each other.

Describe your mindset for this year in one word or short phrase.

Expansive, but anchored.

Photo by: Lara Amusan

Joke Amusan isn’t chasing loud growth. She’s building a practice that lasts, one rooted in boundaries, community, and the quiet work that shapes everything. Her red thread stitches more than messages on fabric. It stitches together care, repair, and the belief that creative work doesn’t have to burn you out to matter.

If you’re a creative feeling the pressure to constantly produce, constantly be visible, constantly grow louder, Joke’s reminder is this: the quiet work counts. The infrastructure you build behind the scenes matters. And growth that’s sustainable will always outlast growth that’s simply loud.

Follow Joke Amusan’s work: Website: jokeamusan.com Instagram: @jokeamusan

Want to stay inspired as we spotlight African creatives? Follow us on Instagram @bell_africana and turn on notifications so you never miss a conversation.

  • no reactions
0
Share
Community Manager published in african creativity, African Fashion, bellafricana, Fashion & Style, Made in nigeria

Outspok’n Skyline Collection: Telling Lagos’ Story Through Aso-Oke

Lagos rises. Constantly. Relentlessly. And Adesola Balogun, founder of Outspok’n Clothiers, captures that energy in fabric through the Outspok’n Skyline collection.

The Outspok’n Skyline collection isn’t just clothing. It’s a collaboration with Loving Lagos Ltd, a Lagos-based tourism company committed to showcasing the beauty, culture, and rich history of Lagos. Together, they’re reimagining what Lagos fashion can say, not just about style, but about identity, movement, and cultural confidence through aso-oke.

Adesola started Outspok’n in his third year at Federal University of Technology, Akure. What began with selling shirts to friends evolved into a bespoke tailoring brand known for merging aso-oke with contemporary fabrics. His previous collections—Ere-Ayo (celebrating joy) and Osei (celebrating fatherhood), established Outspok’n as a brand that tells stories through craft. Now, with the Skyline collection, he’s telling Lagos’ story.

Outspok’n Skyline collection collaboration with Loving Lagos Ltd

Who Is Loving Lagos?

Before diving into the collection, it’s important to understand the partner behind it. Loving Lagos Ltd isn’t your typical tourism company. Founded to celebrate Lagos’ untold stories and cultural heritage, Loving Lagos operates from the historic Onikan House, a restored cultural hub on Lagos Island that serves as an arts exhibition space.

In addition, Loving Lagos has restored landmarks like Kosoko Palace and runs the JK Randle Museum. Beyond that, the company curates exhibitions and immersive cultural experiences that preserve Lagos’ Afro-Brazilian influences, art, and architecture. As a result, their mission extends beyond tourism into long-term cultural preservation.

Partnering with Outspok’n for the Skyline collection extends their mission beyond tours. Fashion becomes another medium for storytelling. Clothing becomes cultural expression.

The Inspiration: A City Constantly Rising

Lagos moves. Its skyline shifts as buildings rise and people hustle beneath them. Meanwhile, stories layer on top of each other, shaping a city that never stands still. The Outspok’n Skyline collection reflects that energy.

Adesola draws inspiration from the city’s iconic skyline, not just the physical structures, but what they represent. Movement. Ambition. Resilience. A city that refuses to stay still.

“For us at Outspok’n, this project goes beyond fashion,” Adesola explains. “It is a tribute to identity. A statement about cultural confidence. A reminder that tradition and modernity are not opposites, they are collaborators.”

Outspok’n Skyline collection inspired by Lagos skyline

The Craft: Aso-Oke Meets Contemporary Design

The Outspok’n Skyline collection uses aso-oke as its primary medium, a heritage textile woven by Yoruba artisans for centuries. Rather than treating aso-oke as a relic, Adesola reimagines it through contemporary silhouettes, including trousers, kaftans, and jackets. At the same time, the pieces remain practical and wearable for modern life. Consequently, heritage feels alive and in motion instead of archived.

The long tapering lines of aso-oke get cut and pieced together with cotton fabric, creating a visual rhythm that mirrors the Lagos skyline itself—structured, dynamic, layered.

This isn’t preservation for preservation’s sake. It’s heritage in motion.

Aso-oke detail in the Outspok’n Skyline collection

The Collaboration: Fashion Meets Tourism

Partnering with Loving Lagos Ltd adds cultural depth to the Outspok’n Skyline collection. Loving Lagos promotes the city’s beauty and culture through tours and exhibitions. By collaborating with a fashion brand, they demonstrate that Lagos culture lives not just in monuments or museums, but in what people wear, how they move, and how they represent themselves.

As a result, fashion becomes a form of storytelling, while tourism evolves into cultural expression. Ultimately, the lines blur, and that is precisely the point.

The Outspok’n Skyline collection merges fashion with cultural storytelling

What This Means for Nigerian Fashion

The Outspok’n Skyline collection expands what Nigerian fashion represents, proving that heritage, textiles, and contemporary design can coexist with clarity and confidence.

Adesola positions Outspok’n not just as a clothing brand, but as a cultural voice. A brand that understands Lagos, represents Lagos, and shows the world what Lagos creativity looks like when it rises. Moreover, by partnering with a tourism company, he shows that fashion can serve as cultural infrastructure, not just commerce, but identity.

As Lagos continues to evolve, the Outspok’n Skyline collection captures a defining moment in its story.

All images courtesy of Outspok’n Clothiers.

Follow Outspok’n Clothiers: Instagram: @outspok’nclothiers

Follow Adesola Balogun: Instagram: @adesola_balogun

Learn more about Loving Lagos: Website: lovinglagos.com

Want to be featured in a Bellafricana Member Spotlight? Join the community and connect with creatives shaping Africa’s cultural landscape.

  • no reactions
0
Share
Community Manager published in African Creative Spotlight, bellafricana, Exclusive Interviews

African Creative Spotlight: A Conversation with Nnenna Okore

The African Creatives Spotlight features artists who refuse to plateau. Nnenna Okore is one of them. After decades of creating work exhibited internationally and collected by institutions like the World Bank and Newark Museum, she still sees room to grow. “The sky is never the limit,” she says. “There’s always more beyond the skies.”

Born in Australia and raised in Nigeria, Nnenna now teaches at North Park University in Chicago while creating across three continents. Her practice is defined by movement—both literal and creative. She doesn’t work in one studio or one country. Instead, her process is shaped by the materials she finds in each place and the communities she works with.

African Creatives Spotlight: Nnenna Okore, Artist and Educator

What makes her work distinctive is how it’s made. Nnenna transforms discarded materials—burlap, cheesecloth, rope, food scraps—into richly textured sculptures through repetitive, labor-intensive processes she learned by watching Nigerian women perform daily domestic tasks. As a result, her work produces visceral forms that resemble roots, veins, and organic structures in states of transformation and decay. Institutions like the Museum of Arts and Design in New York, Museu Afro Brasil in São Paulo, the Cleveland Museum of Art, and the Chengdu Biennale in China have exhibited her sculptures.

This conversation is part of the African Creatives Spotlight, a series highlighting African creatives through short interviews that tell their stories, share their perspectives, and amplify their voices. As the year begins, the focus is on where creatives are right now—how they’re reflecting on the past year, approaching the year ahead, and what insights they have for the creative community. Nnenna’s answers are grounded in a philosophy of relentless growth, intentional rest, and forward motion.

Nnenna Okore, in/flux, Bioplastic, wire and fabric, Varied dimensions, 2022

African Creatives Spotlight: Introduce yourself. Your name, what you create, and where you’re based.

My name is Nnenna Okore. I am an educator and artist who creates large-scale fiber works, sculptures, and installations derived from found and plant-based materials. I am based in the United States, though I work across different locations in Nigeria, Australia, and the United States.

Describe this current season of your creative journey in one sentence.

This season is shaping up to be a promising one for many upcoming projects.

What did the past year teach you about yourself or your brand?

I’ve learned that there’s always room for improvement and further development of craft. The sky is never the limit; there’s always more beyond the skies, so keep pushing.

Nnenna Okore, The obstacle, Newspapers and acrylic, 2013

What are you being more intentional about right now, creatively or in business?

I am being more intentional about making time for myself, so I don’t burn out. Ensuring I find time to relax, reflect, and spend time with loved ones.

What are you letting go of so you can aim higher and create better this year?

Sometimes life gets so busy, and for someone like me who finds it difficult to say no to opportunities or invitations, I think I am letting go of some smaller undertakings to focus my energy on finishing one or two projects strongly.

What bold reminder or insight would you give creatives to push boundaries and dream bigger this year?

I would encourage young and upcoming creatives not to shy away from breaking out of the mold. Try new things to set yourself apart from others. Make space for failures, and see them as teachable moments, not as sources of discouragement.

After all, Nnenna’s practice is built on this. She learned her methods by watching local Nigerians perform daily tasks. She turned food scraps into bioplastic art forms. Meanwhile, she transformed burlap and rope into monumental sculptures. None of that happens without risk.

Nnenna Okore, all things must grow in Time, Hessian, cheesecloth, dye and wire, 2024

Describe your mindset for this year in one word or short phrase.

Always forward and onward, never backward.

___

This is what the African Creatives Spotlight is about—real conversations with creatives who are building momentum. Nnenna Okore isn’t just creating work; she’s redefining how she approaches her practice. She’s protecting her time, focusing her energy on what matters, and refusing to let perceived limits stop her.

However, if you’re a creative feeling stretched thin or wondering if you’ve reached your ceiling, Nnenna’s reminder is this: there’s always more beyond the skies. Don’t be afraid to let go of what’s keeping you from finishing strong.

All images courtesy of Nnenna Okore.

Follow Nnenna Okore’s work: Website: nnennaokore.com

Want to stay inspired as we spotlight African creatives? Follow us on Instagram @bell_africana and turn on notifications so you never miss a conversation.

  • no reactions
0
Share
Community Manager published in african creativity, African Fashion, bellafricana

Nairobi Fashion Week 2026: The Decarbonize Edition That Redefined African Fashion

From January 28 to 31, 2026, Nairobi positioned itself as a fashion capital. Under the Decarbonize theme, Nairobi Fashion Week 2026 brought sustainability, heritage, and commerce into sharp focus, ultimately proving that African designers are not merely participating in global conversations—they are leading them.

Meanwhile, the eighth edition of Nairobi Fashion Week featured Kenyan and international designers whose work challenged assumptions about what African fashion can be. Importantly, this was not a showcase seeking validation. Rather, it was a platform asserting authority.

Building Infrastructure, Not Just Spectacle

The week opened with an intimate launch at Matteo’s Restaurant in Karen, gathering designers and industry leaders in a space that felt more strategic than celebratory. Subsequently, the Fashion Pop-Up Market the following day extended that vision into commerce, connecting designers directly with retailers and proving that fashion operates as infrastructure, not just runway moments.

Behind the scenes at Nairobi Fashion Week 2026, Sarit Expo Centre. Photo by Daniel Kempf-Seifried

Meanwhile, Thread Talks at The Social House Nairobi became the intellectual core of the week. Representatives from UNEP, Gatsby, and the Kenya Fashion Council examined how Africa can decarbonize fashion supply chains without repeating extractive global models. Additionally, a designer masterclass by Anansi translated these ideas into practical tools for building responsible, competitive brands.

Consequently, by the time the runway opened on January 31st at Sarit Expo Centre, the Decarbonize theme had moved from theory to tangible strategy.

John Kaveke: Heritage Meets Precision

John Kaveke has been a statesman in Kenyan menswear since launching his label in 1999. Notably, his work has appeared at New York Fashion Week, London Fashion Week, and across international platforms, consistently exploring where African heritage meets contemporary design.

At Nairobi Fashion Week 2026, his collection created a conversation between Maasai cultural elements and Japanese tailoring discipline. Structured garments softened through ceremonial references. Ultimately, the result felt architectural and deeply human—an exchange between continents rendered in fabric.

John Kaveke’s collection at Nairobi Fashion Week 2026. Photo by Daniel Kempf-Seifried

Wanni Fuga: Quiet Authority from Lagos

Nigerian luxury house Wanni Fuga, founded by Toluwani Wabara in 2014, has built its reputation on clean lines, meticulous craft, and a modern interpretation of West African heritage.

At Nairobi Fashion Week 2026, the brand presented restrained power through sculptural silhouettes and sharp tailoring. Moreover, the palette refused to shout but commanded every inch of space it occupied.

Wanni Fuga’s sculptural tailoring at Nairobi Fashion Week 2026. Photo by Daniel Kempf-Seifried

Yevaàna: Making Sustainability Tangible

Yevaàna transformed the Decarbonize theme into something sensory. Her collection, constructed from cotton, linen, and hemp through deliberate handcraft, celebrated slowness and texture.

Furthermore, the work bridged Sri Lankan and Kenyan craft traditions, proving sustainable fashion can honor both people and planet without sacrificing design integrity.

Yevaàna’s hand-crafted sustainable collection at Nairobi Fashion Week 2026. Photo by Daniel Kempf-Seifried

Lucy Rao: Upcycling as Couture

Lucy Rao founded Rialto Fashions in 1988 and has since become a central figure in Kenya’s fashion industry. Additionally, she co-directs the Kenya Fashion Council and founded the Pamba Mali Organic Cotton Collective.

Her upcycled denim collection at Nairobi Fashion Week 2026 proved circular fashion can reach couture-level discipline through sharp cuts and architectural shapes. Notably, familiar material was reimagined without compromise.

Lucy Rao’s upcycled denim collection at Nairobi Fashion Week 2026. Photo by Daniel Kempf-Seifried

Maisha by Nisria: Fashion as Community Impact

Founded by Nur M’Nasria, Maisha by Nisria operates as both a fashion studio and a social enterprise based in Gilgil, Kenya. The studio creates one-of-a-kind clothing from upcycled materials while training and employing youth and women from vulnerable communities.

At Nairobi Fashion Week 2026, Maisha showcased its approach to sustainable fashion, sourcing discarded textiles from flea markets, wholesalers, and recycling factories, then transforming them into contemporary designs. In particular, the collection explored texture and materiality, weaving together denim and unexpected fabrics into cohesive storytelling.

Recognized by The Guardian, Vogue Business, and Al Jazeera, Maisha demonstrates that circular fashion can function as economic infrastructure, creating jobs, building skills, and supporting communities while producing beautiful clothing.

Maisha by Nisria’s upcycled collection at Nairobi Fashion Week 2026. Photo by Daniel Kempf-Seifried

Expanding the Conversation

Beyond the featured designers, Nairobi Fashion Week 2026 also showcased others who brought different perspectives to the Decarbonize theme.

For instance, Kitukizo, inspired by Swahili coastal heritage, presented fluid silhouettes in soft linens and gentle hues—whites, yellows, and browns that evoked coastal calm and slow living. The collection demonstrated that sustainability can be serene, not strident.

Similarly, Naaniya, a French-based designer of Malian descent, layered Bogolan textiles into contemporary European tailoring, positioning African craft traditions as living materials rather than historical references.

Diverse design perspectives at Nairobi Fashion Week 2026. Photos by Daniel Kempf-Seifried

Why This Matters

Nairobi Fashion Week 2026 shifted perception. By centering sustainability without sacrificing design excellence, the event positioned Nairobi as a city setting agendas rather than following them.

Indeed, the designers who showcased proved that responsible fashion does not require compromise. From John Kaveke’s intercultural tailoring to Lucy Rao’s couture-level upcycling, from Wanni Fuga’s minimalist authority to Yevaàna’s tactile craft, and Maisha by Nisria’s community-centered approach—each collection showed that sustainability and ambition coexist naturally.

At Bellafricana, this is the work we celebrate; fashion rooted in reality that carries depth and proves African creativity has always been about vision, systems, and the future.

Ultimately, Nairobi Fashion Week 2026 did not ask for a seat at the global table. It built its own.

  • no reactions
0
Share
Community Manager published in African Creativity & Innovation, bellafricana, Contemporary African Art

Ibrahim Mahama: Using Everyday Materials to Question Labor and Value

African artists have long been present in global art spaces. Their work has travelled widely, been exhibited internationally, and discussed across institutions. But presence alone is not the same as authorship.

What feels different today is how some African artists are no longer simply responding to global platforms, but actively shaping the conversations within them. Their work does not ask for permission to belong. It arrives with context, intention, and its own language.

Ibrahim Mahama is one of those artists. The Ghanaian artist, born in Tamale in northern Ghana, continues to live and work between Tamale and Accra, creating installations that challenge how we see labor, material, and memory.

Who Is Ibrahim Mahama?

Growing up in Tamale meant growing up close to markets, trade routes, and the everyday realities of labor. As a result, goods were constantly moving. Objects passed through many hands. Work was visible and physical.

These early environments shaped how Ibrahim Mahama understands material. For him, materials are not neutral or decorative. Instead, they carry memory. Each one holds evidence of use, movement, and time.

This perspective sits at the core of his practice today.

Born in Tamale, Ghana, Mahama draws inspiration from local markets and labor.

Materials as Records, Not Objects

Ibrahim Mahama is best known for working with found and repurposed materials such as jute sacks, wooden crates, ropes, and aluminum objects. Many of these materials are sourced from markets and transport systems and still carry stains, tears, stamps, and dents from previous use.

Rather than hiding these marks, Mahama keeps them visible. Moreover, he centers them.

In his work, materials function as records of labor, trade, and migration. They point to global economic systems while remaining grounded in specific places and bodies. His installations often take over entire buildings or public spaces, interrupting familiar environments and forcing viewers to confront what is usually overlooked.

Ibrahim Mahama, Parliament of Ghosts, salvaged railway objects as parliamentary chamber

The Headpans: Making Labor Impossible to Ignore

One of Mahama’s most memorable bodies of work involves aluminum headpans, everyday objects commonly used by market traders and porters across Ghana and other parts of West Africa. These headpans are tools of survival. In practice, they carry goods, weight, and repetition. They are deeply familiar, yet rarely noticed.

This material appears powerfully in Zilijifa, Mahama’s solo exhibition at Kunsthalle Wien in Vienna. At the center of the show was a striking installation titled The Physical Impossibility of Debt in the Mind of Something Living (2025).

The work brought together a decommissioned diesel locomotive, once used on Ghana’s colonial-era railway lines. Beneath it, thousands of enameled iron headpans formed a dense field. Mahama collected these headpans by exchanging new ones for used ones, ensuring that each carried a visible history of labor.

The pans were battered, dented, and chipped. They were not decorative.

In the context of the installation, they functioned as physical traces of labor itself. They pointed to the human effort that sustains systems of trade, transport, and movement. Consequently, what is usually ordinary became unavoidable.

By relocating these objects into an art space, Mahama shifted how they are read. The work prompted conversations around visibility, value, and the labor that underpins economic systems, particularly within African contexts. Rather than romanticizing labor, the work insisted that it be seen.

Used headpans under a locomotive highlight the labor behind global trade.

From Local Histories to Global Systems

This insistence on context follows Mahama wherever his work travels.

His installations do not change meaning when they move internationally. Instead, they expand. Furthermore, the same materials that speak to local labor histories in Ghana begin to reveal global connections when placed in international spaces.

This was especially evident in Ibrahim Mahama’s solo exhibition Digging Stars, presented in Singapore during Singapore Art Week from 16 January to 8 February 2026. Singapore, as a global hub for trade, logistics, and commerce, is deeply tied to the systems Mahama’s materials come from.

Ibrahim Mahama: Digging Stars, Art Outreach Singapore, Gillman Barracks, Singapore Art Week 2026

The exhibition brought together fabric works, installations, photography, and video, continuing his long-term exploration of labor, material, and value. Rather than presenting African experience as distant or separate, the work highlighted how interconnected global systems truly are.

The artist with fabric installation, Digging Stars, Gillman Barracks

African labor histories were not framed as peripheral. They were central to the conversation.

Why This Matters

This is what it looks like when African artists shape global conversations.

Mahama’s work does not seek validation through scale or location alone. It asserts that African histories, material knowledge, and labor systems are essential to understanding the modern world. His practice moves beyond participation and into authorship.

At Bellafricana, this kind of work is prioritized. One that carries depth, rooted in lived realities, and that reminds us that African creativity has always been about more than aesthetics.

Exploring artists like Ibrahim Mahama reveals how contemporary African art continues to reshape global narratives not by asking for a seat at the table, but by redefining the conversation entirely.

Seeing African art take on deeper meaning on the global stage is not just encouraging. It is necessary. Not as a trend, but as a continuation of long-standing truths.

  • no reactions
0
Share
Community Manager published in African Creatives, bellafricana, Creative Entrepreneurs, Meet Up

Bellafricana 2026 Reset: Ready, Set, Goal for Creative Entrepreneurs

Bellafricana Reset 2026 Meet Up Lagos

The Bellafricana 2026 Reset was an intentional gathering of creative entrepreneurs who wanted to start the year with wholesome conversations with fellow creatives who get the struggle, the journey, and the plans that need to be put in place for growth in the year. And here’s how it all began.

A creative entrepreneur reached out and shared how she was preparing for a pop-up in Lagos at the time, but she didn’t have the necessary resources to make it happen. Think mannequins, shelves, and similar essentials. If she didn’t have them, of course she had to ask and she did just that.

She reached out to a community of fashion designers just like her, and they borrowed her these items. But the most important part of her story, the part I’ll never forget, was when she mentioned that this same set of people were there to welcome her when she arrived at the pop-up.

Amazing, is it not?

It really shows how much having the right people can make a difference in your creative journey. This story actually inspired the vision behind the Bellafricana 2026 Reset: Ready. Set. Goal.

The Vision Behind Ready, Set, Goal

The vision, in a few words, was a meetup where creative entrepreneurs connect with people who get them, connect deeply, share goals, and through accountability, keep those goals practical. A space to set systems to achieve those goals and leave with an accountability partner.

I asked Bukky, why this reset? It sounded so intentional, and I wanted to know what inspired it. She said, “Because I don’t want creatives building alone anymore.”

That made so much sense to me because most times, what we need is not a hundred goals per year. What we really need are systems that work and a community that cheers us on every step of the way. Imagine that.

What Happened at the Bellafricana 2026 Reset

With this vision in mind, the Bellafricana 2026 Reset was planned with a few intentional activities, one of which was discussing Atomic Habits by James Clear. We’ve been reading it together in the community, focusing on what feels doable in real life and business. Creatives walked away with one small habit that could support what they’re building.

Good food. Good people. No rush.

Because this is where the real conversations happen, the ones that remind you that you’re not the only one figuring things out.

Here’s what impressed me further. The event happened in three locations: London, Lagos, Accra on the 29th and 31st of January respectively. I was glad to be surrounded by such an intentional team.

Bellafricana Reset 2026 Meet Up London
London

Bellafricana Reset 2026 Meet Up Lagos
Lagos

Bellafricana Reset 2026 Meet Up Ghana
Accra

What Creatives Are Saying

But what’s an update about this event without giving you a sneak peek into what these creatives had to say after attending the Bellafricana 2026 Reset?

In their words, not mine:

Shola Solanke, founder of ElizabethDivine.co, said: “Today was about friendship, community, connecting with like minds, having fun, and learning from fellow creative entrepreneurs. It was amazing.”

Shola Solanke – Founder, ElizabethDivine.co

Nyny Goungou, founder of Nynyryke, said: “I recently joined Bellafricana and was invited to gather here today with other entrepreneurs. I didn’t know what to expect, but it turned out to be three hours well spent.”

Nyny Goungou – Founder, Nynyryke

Olayimika Adetutu, founder of Adetutu Adanma, said: “I had fun today, sitting with other creatives and talking about business challenges. I especially liked the part where we picked accountability partners. It was refreshing.”

Olayimika Adetutu – Founder, Adetutu Adanma

…and the list goes on. But really, you should check here for more reviews.

The Power of Community

It was truly a time filled with intentionality. Amazing to see the kind of chemistry that happens when like-minded individuals in the same room actively seek solutions to their problems. I’d say they were truly reset for the year.

I have to let you in on a little secret though. There will be a 2027 edition, and you definitely do not want to miss it. So give us a follow on our socials if you haven’t already and stay tuned.

We can’t wait to do this again next year.

  • no reactions
0
Share
Community Manager published in Articles, Community, Entrepreneurship, Growth, Inspiration

Unity in Action: The Power of the Black Community’s Boycott During Black Lives Matter Movement in 2020

In the wake of George Floyd’s tragic death, the world witnessed an unprecedented surge in solidarity within the Black community. One of the most inspiring and eye-opening responses while anger and sadness soared in the black community, was the collective decision to boycott major e-commerce giants and exclusively support Black designers and entrepreneurs. The Black Lives Movement was (and always has been) about economic action as much as it was a powerful statement of unity, resilience, and empowerment. 

Social Justice Organizations Reflect on 2020 as Floyd Anniversary Nears | Black Voices | Chicago News | WTTW

During the Black Lives Matter protests in 2020, there was a heightened awareness and intentional support for Black-owned businesses. The decision to shift spending away from large corporations and toward Black-owned businesses highlighted a significant cultural and economic awakening triggered by the fight to end racial discrimination, police brutality and social injustice. This movement served as a reminder of the immense potential within the Black community to support and uplift each other in time of need. It underscored the importance of economic power in the fight against systemic racism and inequality.

The boycott also provided a platform for Black designers and entrepreneurs who had long been overlooked by mainstream markets. The fashion industry was forced to question its embedded Eurocentric outlook and these talented individuals, often working in the shadows, suddenly found themselves in the spotlight with their creativity and innovation celebrated by a broader audience. The surge in support led to increased visibility, sales, and growth opportunities for many Black-owned businesses.

Fashion brand “Telfar” is a perfect case study, let’s explore this further. 

Telfar, the unisex fashion brand founded by Liberian-American designer Telfar Clemens in 2005, saw a significant surge in popularity and support during the Black Lives Matter movement.

Some key factors that contributed to Telfar’s rise:

1. Representation and Inclusivity: Telfar has always championed inclusivity and accessibility in fashion, aligning with the values of the Black Lives Matter movement. The brand’s slogan, “Not for you, for everyone,” resonated with a wide audience seeking diversity and representation in the fashion industry.

2. Affordable Luxury: Telfar’s signature shopping bag, often referred to as the “Bushwick Birkin,” offers a high-quality, stylish alternative to expensive luxury bags. Its affordability and status as a fashion statement made it highly desirable during a time when consumers were seeking to support ethical and inclusive brands.

3. Community Engagement: Telfar’s strong community engagement, including direct interaction with fans on social media and transparent business practices, helped build a loyal customer base. This grassroots support was amplified during the movement as people looked for brands that aligned with their values.

4. Celebrity Endorsements: High-profile endorsements from celebrities like Solange Knowles, Bella Hadid, and A$AP Ferg helped elevate Telfar’s visibility and credibility. These endorsements became even more impactful as celebrities and influencers used their platforms to promote Black-owned brands during the movement.

5. Innovative Marketing and Collaborations: Telfar’s innovative marketing strategies, including the “Bag Security Program” that allowed customers to pre-order their bags, demonstrated a commitment to accessibility and inclusivity. Collaborations with major brands like Gap and UGG further expanded Telfar’s reach and visibility.

Overall, Telfar’s surge during the Black Lives Matter movement was driven by a combination of its core values, strategic positioning, and the broader cultural shift towards supporting Black-owned businesses and inclusive, accessible fashion.

It goes beyond the walls of fashion, it cuts across all industries – Fenty beauty, Pat McGrath Labs, Brandon Blackwood, Maison Noir Wines, Golde, TomboyX, The Lip Bar, KaiCollective, just to name a few personal favourites.

Moreover, this movement fostered a sense of connection and solidarity. People came together, shared resources, and promoted Black-owned businesses through purchases, social media and word-of-mouth. The community’s collective effort to support each other was both heartwarming and empowering, demonstrating that true change comes from within. This period was a testament to the power of community action. It was a time when every purchase made from a Black-owned business was not just a transaction, but a step towards justice and equality worldwide. The Canadian Federal Government invested $90 million in a black entrepreneurship program to help access bank loans, mentorship and other valuable resources. In the US, a substantial amount of people were and still are committed to directing majority of their purchases to black-owned businesses, organisations hire black employees or that are empathetic to the black community. Even across major cities in the UK such as London and Manchester, shortly after the death of George Floyd, protesters gathered and leveraged their rights to peaceful protests with signboards reading “How many more?”. A similar event occurred less than a decade prior in London, Mark Duggan a 29-year old black male suffered a gunshot to the chest and was killed by British police. This led to public protests in Tottenham and escalated into riots across London and other cities. 

The boycott reminded us all that our economic choices can be a form of protest, a way to demand change and support those who need it most. 

In conclusion, the collective boycott of e-commerce giants in favour of Black designers and entrepreneurs during the 2020 Black Lives Matter movement was a profound and inspiring example of unity and empowerment. It showcased the strength of the Black community and the importance of supporting each other in the fight for justice. This movement was a powerful reminder that together, we can create meaningful change and build a more equitable future.

#BlackLivesMatter

#SayTheirNames

#GeorgeFloyd

#BreonnaTaylor

#MarkDuggan

For further reading on the impact of this movement, check out these resources:

CNN, How George Floyd’s death reignited a movement.

Teen Vogue, I Live in the United Kingdom, Where We’re Protesting for George Floyd and Black Lives Globally.

 

  • no reactions
0
Share
Community Manager published in africa, Articles, Community, Entrepreneurship, Growth,

Small Shops, Big Impact : How Shopping from Small Businesses Connects and Inspires

Supporting African businesses and bridging the “Diaspora” in a world dominated by big-box stores and global e-commerce giants, the panache and significance of small businesses can often be overlooked.

Yet, there’s an undeniable swagger in choosing to shop small, especially when it comes to supporting African businesses. From fostering community connections to preserving cultural heritage, the benefits are profound and multifaceted. Let me take you on a journey through the alluring world of small businesses and explain why your support can make a world of difference.

1. Supporting the Dreamers and Doers

Behind every small business is a passionate entrepreneur with a dream. These individuals pour their heart and soul into their work, often overcoming significant challenges to bring their visions to life. When you shop small, you’re not only buying a product; you’re supporting someone’s dream, fuelling their passion, and contributing to the livelihood of communities of artisans.

– Think of it like a garden. Just as each plant needs care and attention to flourish, small businesses thrive with the support of their communities. By choosing to shop small, you’re helping these businesses to grow and blossom, creating a thriving ecosystem of creativity and innovation.

– This in turn drives impact in creating more entrepreneurs in ourselves and our kids, a broader spectrum of creative businesses which contribute to creating wealth.

2. Strengthening Communities with A Personalised Shopping Experience 

Small businesses are a driving force behind economic growth and development. They create jobs, stimulate local economies, foster a sense of belonging and connection as well as contribute to the overall prosperity of their communities.

– When you shop at a small African business, you’re investing in the community’s future, helping to create a vibrant and sustainable economic landscape.  When you shop at a small business, you’re more than just a customer; you’re part of a community. Small business owners often go above and beyond to provide a personalized shopping experience, getting to know their customers and tailoring their services to meet individual needs. Imagine a friendly neighborhood coffee shop where the barista knows your name and your favorite order. This personal touch creates a warm, welcoming atmosphere that big-box stores and online giants simply can’t replicate.

– By supporting small businesses, you’re enriching your shopping experience and creating a resilient and interconnected community. By choosing to shop small, you’re playing a crucial role in this economic cycle, helping to create opportunities and drive progress.

– Imagine the ripple effect of a stone thrown into a pond. Each small business represents a stone, and their success creates ripples that spread throughout the community, fostering economic growth and development. Your support amplifies these ripples, creating a positive impact on the broader economy.

3. Unique, Quality Products

One of the joys of shopping small is discovering unique, high-quality products that you won’t find anywhere else (literally). Whether it’s a handcrafted necklace, a one-of-a-kind painting, or a bespoke piece of furniture, small businesses offer a treasure trove of distinctive items that stand out in a world of uniformity. Small businesses are hidden gems. Just as a gemstone catches the light and reveals its beauty, small businesses offer products that reflect the creativity and craftsmanship of their makers. By shopping small, you’re choosing quality and individuality over mass-produced, cookie-cutter items.

4. Environmental and Social Impact

Small businesses often have a smaller environmental footprint compared to large corporations. They tend to source materials locally, produce in smaller batches, and prioritize sustainable practices. By choosing to shop small, you’re making a more environmentally conscious choice, helping to reduce waste and promote sustainability.

– Think of it like a pebble in a pond. Each small business represents a pebble, and their collective efforts create ripples that spread far and wide, contributing to a more sustainable and eco-friendly world. Your support amplifies these efforts, creating a positive impact on the environment. Many small African businesses are owned and operated by women and individuals from marginalized communities.

– By supporting these businesses, you’re helping to empower these entrepreneurs, providing them with opportunities for economic independence and social mobility. Consider the analogy of a bridge. Small businesses create pathways for women and marginalized groups to achieve their goals and improve their lives. By shopping small, you’re helping to build these bridges, fostering inclusivity and equality.

5. Reconnecting the Diaspora

For members of the African diaspora, supporting small African businesses is a powerful way to stay connected to their roots and heritage. It provides a tangible link to the culture and traditions of their homeland, creating a sense of belonging and pride. Think of it like a thread that ties you to your ancestry. Each purchase from a small African business strengthens this connection, allowing you to weave a rich tapestry of cultural heritage and identity. By supporting these businesses, you’re not only embracing your roots but also helping to keep these traditions alive for future generations. 

6. Building a Better Future

Ultimately, shopping small is about building a better future for ourselves, our communities, and the world. By supporting small African businesses, you’re helping to create a more diverse, inclusive, and sustainable economy. You’re fostering creativity and innovation, preserving cultural heritage, and empowering individuals to achieve their dreams. Think of it like planting a tree. Each small business represents a seed, and your support helps it to grow and flourish. Over time, these businesses will create a forest of opportunity, providing shade, shelter, and sustenance for generations to come.

In conclusion: The Power of your choice in a world where convenience often trumps quality, choosing to shop small is a powerful act of defiance. It’s a statement that you value creativity, craftsmanship, and community over mass production and uniformity. By supporting small African businesses, you’re making a difference. You’re becoming part of a larger narrative, helping to create a brighter, more inclusive, and sustainable future. So, the next time you’re looking for a unique gift, a high-quality product, or a way to reconnect with your heritage, consider shopping small. The magic of these businesses is waiting to be discovered, and your support can help to keep this magic alive.

__

If, for some weird reason, you’ve missed hearing about Bellafricana before now, allow us to introduce ourselves:

Bellafricana is more than just a platform; it’s a thriving community of African creatives dedicated to supporting and empowering entrepreneurs in the arts & crafts, fashion, beauty, and home & living industries. Led by our visionary CEO, Bukky Asehinde, we’ve been championing African creativity for over a decade, providing the right business support and structure for our members to thrive in a global market. Essentially, we want to see African creative entrepreneurs win internationally.

At Bellafricana, our mission is clear: to be the premier destination for buyers worldwide seeking quality African-made/inspired products. We uphold the highest standards of business ethics and integrity in every interaction with our members, customers, partners, and employees. Through our dedication to excellence, we not only drive economic progress in Africa but also inspire others to contribute to the continent’s development and social advancement.

We understand the importance of business management in creative enterprises, which is why we provide valuable resources and insights on how to stay on track and achieve your goals. Most importantly, we chronicle African creative culture through the distinctive perspective of Africans for a global target audience. 

Together, we can make a meaningful difference in the world, starting with Africa. 

Summary: Bellafricana is more than just a platform; it’s a vibrant community where African creativity flourishes. Whether you’re an entrepreneur, a buyer, or simply passionate about African culture, there’s a place for you here. Join us on this exciting journey as we continue to empower African creatives and showcase the beauty of our continent to the world.

 

→ Follow us on social media to stay updated on the latest news, sneak peeks and behind-the-scenes. ↓

Join our Instagram community 

We’re getting popular on Facebook

Click to connect with us on Linkedin 

Join our followers on X (twitter..?)

Subscribe for our Youtube videos

Read some more Articles 

__

Thanks for reading, till next time.

  • no reactions
0
Share
Community Manager published in bellafricana, Community, Entrepreneurship, Events, Exhibitions,

Celebrating Our Visionary Leader, Bukky Asehinde Founder of TALES by Bellafricana

As the curtains draw to a close on TALES 2024, we reflect on the incredible journey that has unfolded over the past week. From the vibrant stalls to the joyous cultural exchanges, every moment has been a testament to the rich tapestry of African creativity and entrepreneurship. Yet, as we bid farewell to this year’s event, it’s only fitting to shine a spotlight on the visionary leader whose passion and dedication have made TALES an unforgettable experience—our Founder, Bukky Asehinde.

Bukky’s warm smile and infectious energy are the lifeblood of TALES. Wherever you look, there she is, hugging creatives, welcoming guests, giving gifts, or sharing her profound love for African culture and creativity. Her presence is a constant reminder of the heart and soul that drive this incredible event.

The Visionary Leader: Bukky Asehinde

Bukky Asehinde, founder of Bellafricana; is a beacon of hope and empowerment for African entrepreneurs. Her journey started with a simple yet powerful idea: to create a platform that showcases the immense talent and creativity of African artisans to a global audience. Through Bellafricana, Bukky has built a thriving ecosystem that supports and nurtures African creatives, providing them with the tools and opportunities they need to succeed.

Bukky’s dedication to her mission is unwavering. Her commitment to excellently promoting African creativity and entrepreneurship is evident in every aspect of TALES. She has created a space where artists, designers, and makers can connect with a global audience, fostering cultural exchange and economic empowerment. Her work has not only elevated African creatives but has also inspired countless others to pursue their passions and share their talents with the world.

The Impact of TALES

TALES transcends the traditional pop-up event experience; it is a unique celebration of African craftsmanship and innovation. This year’s event has been a showcase of the best that Africa has to offer, featuring a curated selection of uniquely handcrafted products, fashion, art, beauty, and culinary delights. The event has evolved into a true African Lifestyle Experience, drawing visitors from all corners of the globe to experience the rich diversity of African culture.

The impact of TALES extends far beyond the event itself. By providing a platform for African entrepreneurs to showcase their work, TALES has helped to drive economic progress and social advancement across the continent. The event has fostered meaningful connections and collaborations, promoting cultural exchange and inspiring others to contribute to the development of Africa’s creative industries.

A Community of Creatives

At the heart of TALES is the community of creatives who bring the event to life. These talented individuals are the backbone of Bellafricana, and their dedication and passion are evident in every product, every performance, and every interaction. From fashion designers to artisans, chefs to artists, the diversity of talent on display at TALES is truly awe-inspiring.

Bukky’s role in nurturing this community cannot be overstated. Her vision for Bellafricana has always been to create a supportive environment where creatives can thrive. Through mentorship, training, and access to a global market, Bukky has empowered countless entrepreneurs to turn their dreams into reality. Her efforts have created a ripple effect, inspiring a new generation of African creatives to pursue their passions and make their mark on the world.

Celebrating African Heritage

One of the most remarkable aspects of TALES is its celebration of African heritage. The event is a vibrant tapestry of culture, showcasing the rich traditions and artistic expressions that define Africa. From traditional dances to contemporary art, every element of TALES is a tribute to the continent’s diverse cultural heritage.

Bukky’s passion for African culture is at the heart of this celebration. Her dedication to preserving and promoting African traditions is evident in every aspect of the event. By highlighting the beauty and richness of African heritage, Bukky has helped to foster a deeper appreciation for the continent’s cultural contributions. Her work has not only elevated African creatives but has also inspired others to explore and celebrate their own cultural identities.

Empowering Entrepreneurs

TALES is about showcasing talent as much as it’s about empowering entrepreneurs to succeed. Through Bellafricana, Bukky has created a platform that provides creatives with the resources and support they need to grow their businesses. From marketing and branding to financial management and export opportunities, Bellafricana offers a comprehensive suite of services designed to help entrepreneurs thrive.

The impact of this support is evident in the success stories of the many creatives who have benefited from Bellafricana’s programs. By providing access to a global market, Bukky has opened doors for African entrepreneurs that were previously out of reach. Her work has helped to level the playing field, giving talented individuals the opportunity to compete on the world stage and achieve their full potential.

A Global Movement

TALES is more than just an event; it is a global movement that is changing the way the world sees African creativity. By bringing together diverse communities and stakeholders, TALES is fostering a global dialogue about the importance of cultural exchange and economic empowerment. The event has become a platform for showcasing the best of African craftsmanship and innovation, inspiring others to support and invest in African creatives.

Bukky’s vision for TALES extends far beyond the event itself. She sees it as a catalyst for change, a way to inspire others to take action and support the development of Africa’s creative industries. Her work has helped to create a global network of supporters who are committed to promoting and celebrating African talent. This movement is driving a new narrative about Africa, one that highlights the continent’s rich cultural heritage and its immense potential for growth and innovation.

As we bid farewell to TALES 2024, we look forward to the future with hope and excitement. We invite you to join us on this journey, to experience the beauty and richness of African culture, and to support the incredible talent that defines TALES. Together, we can make a meaningful difference in the world, starting with Africa.

Join Us at Future TALES Events

As we reflect on the unforgettable journey of TALES 2024, we are already looking ahead with excitement to the future events that will continue to celebrate African creativity and culture worldwide. While TALES 2024 has come to a close, the spirit of the event lives on, and there are many more opportunities to be part of this incredible movement. Stay tuned for more updates on TALES 2025.

Want to Get Involved?

Stay connected with us and be the first to know about our upcoming events, workshops, and opportunities to engage with the talents of the Bellafricana community. Follow us on our social media channels and sign up for our newsletter to receive the latest updates and exclusive invitations.

→ We’re very social ↓

Join our Instagram community 

We’re getting popular on Tiktok

Click to connect with us on Linkedin 

Join our followers on X (twitter..?)

Subscribe for our Youtube videos

Read some more Articles 

& Don’t be a stranger, leave a follow or a like or two. Better yet, comment something like “Keep the blogs coming” to stay in the loop, also so we know you were here 🤝.

Support African Creatives

Even though TALES 2024 has ended, you can still support the talented creatives who showcased their work. Visit our online marketplace to discover and purchase unique handcrafted products, fashion, art and beauty delights from African entrepreneurs. Your support helps drive economic progress and empowers these creatives to continue their incredible work.

Join the Bellafricana Community

If you are a creative, an enthusiast of African culture, or someone who believes in the power of cultural exchange and entrepreneurship, we invite you to join the Bellafricana community. As a member, you will have access to resources, mentorship, and a network of like-minded individuals who are passionate about making a difference.

Thank You for Your Support

We extend our heartfelt gratitude to everyone who attended and supported TALES 2024. Your participation and enthusiasm have made this event a resounding success. Together, we are shaping the future of African creativity and entrepreneurship, and we look forward to continuing this journey with you.

__

On that note, thank you for a great time at TALES. 

Bye for now. 

  • no reactions
0
Share
STEPS TO MAKING

Massive Progress in your Business

Subscribe to get the free guide and learn step-by-step exactly what you need to achieve your goals.